The Social Network is a 2010 American biographical drama film directed by David Fincher and written by Aaron Sorkin, based on the 2009 book The Accidental Billionaires by Ben Mezrich. It portrays the founding of social networking website Facebook. It stars Jesse Eisenberg as the Facebook founder Mark Zuckerberg, with Andrew Garfield as Eduardo Saverin, Justin Timberlake as Sean Parker, Armie Hammer as Cameron and Tyler Winklevoss, and Max Minghella as Divya Narendra. Neither Zuckerberg nor any other Facebook staff were involved with the project, although Saverin was a consultant for Mezrich's book.[4]
The Social Network Movie With Subtitles Download 11
On October 28, 2003, 19-year-old Harvard University sophomore Mark Zuckerberg is dumped by his girlfriend, Erica Albright. Returning to his dorm, Zuckerberg writes an insulting post about Albright on his LiveJournal blog. He creates a campus website called Facemash by hacking into college databases to steal photos of female students, then allowing site visitors to rate their attractiveness. After traffic to the site crashes parts of Harvard's computer network, Zuckerberg is given six months of academic probation. However, Facemash's popularity attracts the attention of twins Cameron and Tyler Winklevoss and their business partner Divya Narendra. The trio invites Zuckerberg to work on Harvard Connection, a social network exclusive to Harvard students and aimed at dating. Zuckerberg approaches his friend Eduardo Saverin with an idea for the Facebook, a social networking website that would be exclusive to Ivy League students. Saverin provides $1,000 in seed funding, allowing Zuckerberg to build the website, which quickly becomes popular. When they learn of the Facebook, the Winklevoss twins and Narendra are incensed, believing that Zuckerberg stole their idea while misleading them by stalling development on the Harvard Connection website. They raise their complaint with Harvard President Larry Summers, who is dismissive and sees no value in disciplinary action on the Facebook or Zuckerberg.
Saverin and Zuckerberg meet fellow student Christy Lee, who asks them to "Facebook me," a phrase that impresses them. As the Facebook grows in popularity, Zuckerberg expands the network to Yale University, Columbia University, and Stanford University. Lee arranges for Saverin and Zuckerberg to meet Napster co-founder Sean Parker, who presents a "billion-dollar" vision for the company. Zuckerberg is impressed, but Saverin dismisses him as paranoid and delusional. Parker also suggests renaming the site to Facebook. Later, Zuckerberg relocates the company to Palo Alto on Parker's advice; Saverin remains in New York to work on business development. Parker later moves into the house that Zuckerberg is using as a base of operations and becomes more involved with the company, much to Saverin's annoyance.
From The Guardian, Peter Bradshaw gave the film four stars, praising David Fincher's directing as the "right intensity and claustrophobia for a story that takes place largely in a stupefyingly male environment at Harvard University in 2003".[61] In her review for The Verge, Kaitlyn Tiffany wrote positive comments on Aaron Sorkin's screenplay, writing that his "reflex for writing witty, whiny men with outsized intellect and poorly disguised narcissism serves as an advantage instead of a handicap."[62] The film's editing by Kirk Baxter and Angus Wall was also lauded by critics, leading to their win of the Academy Award for Best Film Editing.[63] Additionally, the film's score received positive commentary, with some reviewers stating that it was "a persistent source of simmering tension in the movie", and a "masterpiece".[64][65]
Roger Ebert of the Chicago Sun-Times, giving it four stars and naming it the best film of the year, wrote: "David Fincher's film has the rare quality of being not only as smart as its brilliant hero, but in the same way. It is cocksure, impatient, cold, exciting and instinctively perceptive."[66] Peter Travers of Rolling Stone gave the film his first full four-star rating of the year and said: "The Social Network is the movie of the year. But Fincher and Sorkin triumph by taking it further. Lacing their scathing wit with an aching sadness, they define the dark irony of the past decade."[67] The Harvard Crimson review called it "flawless" and gave it five stars.[68]
Joe Morgenstern in The Wall Street Journal praised the film as exhilarating but noted: "The biographical part takes liberties with its subject. Aaron Sorkin based his screenplay on [...] The Accidental Billionaires, so everything that's seen isn't necessarily to be believed."[69]Among the film's very few negative reviewers was Nathan Heller of Slate, who described it as "rote and deeply mediocre" as well as "maddeningly generic", and believed that, "Sorkin and Fincher's 2003 Harvard is a citadel of old money, regatta blazers, and (if I am not misreading the implication here) a Jewish underclass striving beneath the heel of a WASP-centric, socially draconian culture... to get the university this wrong in this movie is no small matter."[70]
Journalist Jeff Jarvis acknowledged the film was "well-crafted" but called it "the anti-social movie", objecting to Sorkin's decision to change various events and characters for dramatic effect, and dismissing it as "the story that those who resist the change society is undergoing want to see".[93] Technology broadcaster Leo Laporte concurred, calling the film "anti-geek and misogynistic".[94] Sorkin responded to these allegations by saying, "I was writing about a very angry and deeply misogynistic group of people".[95]
Since its release, The Social Network has been cited as inspiring involvement in start-ups and social media.[102] Bob Lefsetz has stated that: "watching this movie makes you want to run from the theatre, grab your laptop and build your own empire,"[103] noting that The Social Network has helped fuel an emerging perception that "techies have become the new rock stars."[104] This has led Dave Knox to comment that: "fifteen years from now we might just look back and realize this movie inspired our next great generation of entrepreneurs."[103] After seeing the movie, Zuckerberg was quoted as saying he is "interested to see what effect The Social Network has on entrepreneurship", noting that he gets "lots of messages from people who claim that they have been very much inspired... to start their own company."[105] Saverin echoed these sentiments, stating that the film may inspire "countless others to create and take that leap to start a new business."[106] In one such instance, the co-founders of Wall Street Magnate confirmed that they were inspired to create the fantasy trading community after watching The Social Network.[107]
Following his success with the film, Sorkin became attached to another project about a technology company, writing the script for the 2015 biopic Steve Jobs, which used a similar format.[108] Another Facebook film may be produced, as Sheryl Sandberg has signed a deal with Sony Pictures Entertainment to develop her 2013 book Lean In: Women, Work and the Will to Lead, into a movie.[109]
Following the close of the decade, The Social Network was recognized as one of the best films of the 2010s. Metacritic reported that it was listed on over 30 film critics' top-ten lists for the 2010s, including eight first-place rankings and four second-place rankings. Metacritic ranked The Social Network third overall, following Mad Max: Fury Road and Moonlight.[110] Esquire named The Social Network the best of the 2010s, calling it Citizen Kane "for the Internet age" and dubbing it "the movie of our new millennium".[111] With Facebook going "from a utopian, world-shrinking force of good to a potential threat to democracy", Esquire wrote, "Fincher seemed to sense all of this and more long before anyone else. And his brilliant, troubling film bristles with that queasy sense of prophecy and prescience."[111] Polygon, calling The Social Network the best film of the decade, wrote, "The Social Network, by chance or by design, has become one of the most immensely relevant movies of this decade... But after nearly a decade of watching Facebook 'move fast and break things,' including news websites, social video, politics, etc., the movie's tangible sense of tension can easily be reinterpreted as foreboding for what comes after you make a billion friends."[112] Director Quentin Tarantino called the film the best of the 2010s, singling out the script by Aaron Sorkin, whom he described as "the greatest active dialogist".[113]
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The Social Network movie depicts a series of events in which Zuckerberg creates Facebook after his college girlfriend breaks up with him. However, at the time of the events in the movie, Zuckerberg was in a relationship with his girlfriend Priscilla Chan, whom he married in 2012.
The Social Network Soundtrack, released on September 28, 2010, was scored by Trent Reznor and Atticus Ross for the David Fincher film The Social Network, based on the popular social networking site Facebook. It was the first release from The Null Corporation to be marked with a Null number, being Null 01.
I was planning on taking some time off after the continual waves of touring that ended last fall and spend this year experimenting around with what would become How To Destroy Angels and some new NIN. Well, that plan didn't work out so well. David Fincher started inquiring about my interest in scoring his upcoming film, The Social Network. Yeah, the movie about the founding of Facebook. I've always loved David's work but quite honestly I wondered what would draw him to tell that story. When I actually read the script and realized what he was up to, I said goodbye to that free time I had planned. Atticus Ross and I have been on a creative roll so I asked him if he wanted to work on this with me and we signed on.Months later, I'm happy to tell you we're nearing the completion of this and I couldn't be happier with how it's turned out. The level of excellence that David operates on is inspiring and the entire process has been challenging and truly enjoyable.As Atticus and I near the end of the scoring process, we're looking forward to the next phase - distilling the large amount of music we've written for this down to a satisfying record (or two). The film opens Oct 1 in the US with the record likely available a couple of weeks ahead of that.Speaking of the film... it's really fucking good. And dark! 2ff7e9595c
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